
1999
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

Helmut Federle
Himself

Günther Förg
Himself

Jonathan Lasker
Himself

Robert Mangold
Himself

Brice Marden
Himself

Gerhard Richter
Himself

Richard Serra
Himself

Philip Taaffe
Himself

Günter Umberg
Himself

Arika A.

Seen From Here, I Feel Like Belonging

Brush with Life: The Art of Being Edward Biberman

Visite à Oscar Dominguez

China's Van Goghs

Bone Wind Fire

Green

Enough of Myself

Thomas Hart Benton

Frida Kahlo & Tina Modotti

Eye of the Storm

Dada Found Objects. Surreal Doodles and Dreams

Counterfeit Culture

I, Claude Monet

Basquiat: Rage to Riches

Rubens

The Painter Sam Francis

André Brasilier: Where dreams come from

A New Spirit in Painting: 6 Painters of the 1980's

Botero Born in Medellin