
2005
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

Park Chan-wook
Self

Hong Sang-soo
Self

Im Sang-soo
Self

Kim Ki-duk
Self

Im Kwon-taek
Self

Lee Chang-dong
Self

Bae Chang-ho
Self

Lee Myung-se
Self

Moon So-ri
Self

Ahn Sung-ki
Self

The Memory of Water

PyeongChang 2018 Olympic Opening Ceremony: Peace in Motion

Room 708, A Letter from a Private

Spy Nation

Haewon

Bitter, Sweet, Seoul

President′s 7 Hours

Kim Dae-jung's Days

Aka Dan

Light A Candle, Write A History - Candlelight Revolution

All day candles

Full Metal Village

Candle in the Wave

Rivercide: The Secret Six

A Dream of Iron

The Reservoir Game

Project Cheonan Ship

Rememberance of MB

Cheonggyecheon Medley

Quo Vadis