
2000
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

Vanessa Williams
Self

Friend Indeed

Project Florida

Tramp Trouble

Les Miracles de la Cène

Isn't Love Cuckoo?

Castration Movie Anthology ii. The Best of Both Worlds

Workers Leaving the Lumière Factory

Night and Fog

Mild Madness, Lasting Lunacy

The Duke: Based on the Memoir 'I'm The Duke' by J.P. Duke

Lambing

Well Enough Alone

The Romance of Celluloid

Rex the Runt: How Dinosaurs Became Extinct

It's in the Stars

Marvel One-Shot: All Hail the King

Paparazzi

M.A.M.Ó.N.: Monitor Against Mexicans Over Nationwide

Carnival in Paris

The Puppet Asylum