
1966
Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.

Orson Welles
Himself

The Death of "Superman Lives": What Happened?

The Unknown Peter Sellers

How We Die

Heckler

Marika's Passing

Das Boot Revisited: An Underwater Success Story

Extreme Life & Death: The Blair Witches of Shockumentaries, Part Three

The Farmer and the Shark

Jean-Marie Straub and Danièle Huillet at Work on a Film Based on Franz Kafka’s Amerika

An Execution by Hanging

City of the Dead

Bull Jumping

¡Al fútbol!

Born to Fight

Shaft: Still the Man

Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson

In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema

The Improv: 50 Years Behind the Brick Wall

Emily Cat-alonian

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