
1998
Legends circulate in the public consciousness about Kex, which existed from late 1968 to the autumn of 1971. For baby boomers, it represented freedom and spontaneity. The band rejected the world of Communist cultural policy with its uniqueness and refusal to conform, something in which the best of the artistic intelligentsia and political dissidents saw value. They attended their concerts, and the film recalls their experiences. At times, one feels as if they are watching a spy film parody, as one gains insight into the secret files containing reports from agents embedded within the audience.

János Baksa-Soós
Self

Földes László
Self

Tamás Cseh
Self

Tamás Somló
Self

János Bródy
Self

Gyula Pauer
Self

Ildikó Szabó
Self

György Szomjas
Self

Balázs Fakan
Interviewer

László Rajk
Self

János Tóth
Self

Péter Don
Self

Károly Szikszai
Self

Jenő Balaskó
Self

János Vetö
Self

László Najmányi
Self

Anita Szervánszky
Self

Péter Winkler
Self

Péter Makara
Self

Zsuzsa Szűts
Self

When We Went MAD!

Women & the Wind

Nitty Gritty Dirt Band and Friends - Circlin' Back: Celebrating 50 Years

Behind The 1975’s 'Notes on a Conditional Form'

I am from Siam

VIVA - The opening Ceremony Documentary of Rio 2016

Zimbabwe Wheel

The Avett Brothers at Red Rocks

Backstage Bardo

Blade Runner: Mundos Replicantes

Mylène Farmer : sur les pas d'une icône

Bowie: The Man Who Changed the World

The Devil and Daniel Johnston

Rap Stream

Being Seen

Metallica: Studio Shit + U.K. Shenanigans

Blue Collar & Buddha

39-45 L'histoire des bases sous-marines

All Screwed Up

Esperanto