
1985
Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Cruz Quinal
Self

Salsa

EDGES - the borders that define us

Babylon Club

The Revolution Will Not Be Televised

Un Anhelo Constante

A gozar con Billo. Luis María Frómeta

La autonomía ha muerto

Romeo Santos: Utopia Live from MetLife Stadium

Testimonio de un obrero petrolero

La Casa del Ritmo: A Film About Los Amigos Invisibles

Mayami nuestro

Locos de Amor, Mi Primer Amor

Algunos cantantes, algunas canciones

ESE EME: The Unauthorized History

The Promise of Music

Guaco: Semblanza

Vamos Pal Matiné

Hugo Chávez: Itinéraire d'un révolutionnaire

Venezuela es un Desorden

María Becerra - Estadio River Plate