
1959
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

Patsy Ka Ling
Fong Man-yu

Nam Hung
Fong Man-wai

Patrick Tse Yin
Chui Chung-ming

Kong Yat-fan
Mok Wai-sang

Keung Chung-Ping
Wan Sum-man

Wong Cho-San
Fong's father

Lee Yuet-Ching
Fong's mother

Yeung Yip-Wang
Mok's father

Ma Siu-Ying
Mok's mother

Jons und Erdme

Eternal Love

Daisy Miller

Winter Love

Sanatorium Under the Sign of the Hourglass

The Top of Mount Fuji

For Love Alone

The Tormented Beauty

Autumn

Lincoln in the Bardo

Macário

Pola X

Trilby and Svengali

Trilby

The Atrocity Exhibition

Anna Karenina

Beauty Raised from the Dead

Oshidori kenkagasa

Kangaroo

Little Women